Gazebo called Gunilla Wihlborg her installation of steel shiny closed house bodies in the art gallery. An exhibition based on a form on the border between architecture and sculpture that gave the visitor opportunities for self-reflection in the blurred surface. Who am I really, can I get in where questions the viewer was asked. In one of the three giant house bodies, a piece of skin-colored silk penetrated through an opening. Something human and soft was set against something hard and impregnable. The enigmatic in the closed. The house as an age-old psychological symbol for man and how one perceives oneself.